Ultrabeat has powers beyond simple drum pattern creation, offering a synthesis section that's the key to more varied percussive sounds and rhythmic effects. Using side-chaining in Ultrabeat. The output of a synth pad from the ES1 channel is routed to bus 4, and aux 1 is 'listening' to that bus. The output from aux 1 is turned off, effectively sending the pad sound 'nowhere', so that you won't hear it directly. In Ultrabeat, Osc 1 is set to a side-chain input, and the plug-in side-chain input is set to bus 4 (the pad sound). When Logic is running, the pad will be gated and filtered by Ultrabeat.In the first part of this workshop, published last month, we had a look at the basic functions of the Assignment and Step Sequencer sections of Ultrabeat.

After phenomenal successes of Vol.1 we are proud to present the next part of 'Ultrabeat Essentials' series and with Vol.2 we are covered another genres of music such. Organising & Importing. Logic comes with many kit presets for Ultrabeat, as well as a library of individual snares, kicks and so on. It's likely that you'll want to. More Ultrabeat Presets images. Jul 14, 2015 Wow! I just registered to this forum to say 'Thank you man!' It's a pity that even for 808, 909 style drums apple just provides sampled stuff with Ultrabeat.

This month we'll investigate its Synthesizer section and look at some additional features that can expand your sonic and musical horizons. (The Instrument and Effects reference manual has an excellent section for Ultrabeat, as well as an introduction to basic synthesis and a splendid tutorial on how to program drum sounds, so try to study that, as well as some of Ultrabeat's presets.) Ultrabeat follows the basic principles of analogue subtractive synthesis, but with many additional advanced features. There are three basic sound generators: Oscillators 1 and 2 plus a noise generator. Live Cd Hacker Tools 2017. A fourth possibility is the ring modulator, which uses Osc 1 and 2 as its inputs. Also available are a filter/distortion section, in the centre of the main window, and, on the right-hand side, an Output section. Modulation sources include two LFOs, four Envelope Generators and four user-definable MIDI Continuous Controllers. The basic Ultrabeat signal flow is shown below.

There are several 'gotchas' to watch out for, including the Power switches for the Oscillators and LFOs, and the signal routing buttons, which are red when activated (see the screenshot, right). It's important to remember that Ultrabeat has 25 voices available, and that each one has its own complete synth section like this. Ultrabeat is big, and powerful! The oscillators, noise generator and ring modulator can all be individually routed direct to the output section or through the filter.

It's vital to understand these power and routing buttons. Osc 1 is switched on, but not routed through the filter. Osc 2 is routed through the filter, and then into the distortion section.Oscillator 1 has three basic modes of operation — but it won't be operating at all unless you remember to switch it on with its Power switch! In Phase synth mode it can produce all the necessary basic synthesis waveforms by means of adjustment of its Slope, Saturation and Asymmetry controls (the screen on the right shows the settings for a square wave). The pitch is adjusted by a slider next to the output volume knob, and to tune in cents of a semitone you can hold down the Shift key while adjusting the pitch control. In FM mode (great for digital-sounding bells and clangs), Osc 1 generates a sine wave that can be frequency modulated by Osc 2. Note that, although the waveform view updates to show the effect, you'll only get FM when Osc 2 is actually switched on.